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| The Hoffnung Music Festival Concert
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| A1 Speech By Mr. T. E. Bean
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| Speech – T. E. Bean*
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| A2 Fanfare
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| Brass – Trumpeters Of The Royal Military School Of Music
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| Composed By, Conductor – Francis Baines
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| A3 A Grand Grand Overture
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| Composed By, Conductor – Malcolm Arnold
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| A4 Concerto For Hose-Pipe And Strings (Third Movement)
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| Composed By – Leopold Mozart
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| Conductor – Norman Del Mar
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| Pipe [Hose-Pipe] – Dennis Brain
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| Concerto Popolare (A Piano Concerto To End All Piano Concertos)
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| Arranged By – Franz Reizenstein
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| Conductor – Norman Del Mar
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| Solo Vocal – Yvonne Arnaud
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| A5a Concerto In A Minor
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| Composed By – Grieg*
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| A5b Piano Concerto No. 2
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| Composed By – Rachmaninoff*
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| A5c Rhapsody In Blue
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| Composed By – Gershwin*
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| A5d Warsaw Concerto
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| Composed By – Addinsell*
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| A5e Beer Barrel Polka
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| Written-By – Vejvoda*
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| A5f Reizenstein Concerto
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| Composed By – Reizenstein*
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| B1 Symphony No. 94 In G 'The Surprise' − Andante
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| Arranged By – Donald Swann
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| Composed By – Haydn*
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| Conductor – Lawrence Leonard
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| Soloist – Members Of The B.B.C. Music Division
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| B2 Speech By Gerard Hoffnung
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| Speech – Gerard Hoffnung
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| B3 Mazurka No. 47 In A Minor, Op. 68 No. 2
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| Arranged By – Daniel Abrams
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| Composed By – Chopin*
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| B4 Lochinvar (For Speakers And Percussion)
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| Conductor – Lawrence Leonard
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| Music By – Humphrey Searle
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| Voice [Speakers] – Gerard Hoffnung, Yvonne Arnaud
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| Words By – Sir Walter Scott
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| Variations On 'Annie Laurie' (Theme: Alerto, Ma Non Troppo)
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| Composed By, Conductor – Gordon Jacob
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| B5a Variation 1: Poco Inglesemente
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| B5b Variation 2: Molto Zingaresemente
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| B5c Variation 3: Alla Gigolo
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| B5d Variation 5: Finale, Assai
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| The Hoffnung Interplanetary Music Festival
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| C1 Introductory Music Played In The Foyer
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| Band – Drum And Fife Band Of The Royal Military School Of Music
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| Composed By, Conductor – Francis Chagrin
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| C2 Two Excerpts From A Hoffnung Festival Overture
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| Brass – Trumpeters Of The Royal Military School Of Music
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| Composed By, Conductor – Francis Baines
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| Orchestra – The Hoffnung Symphony Orchestra
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| Organ – John Weeks (3)
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| C3 Metamorphosis On A Bed-Time Theme (Allegro Commerciale In Modo Televisione)
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| Bass-Baritone Vocals – Ian Wallace (3)
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| Libretto By – Alistair Sampson
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| Music By, Conductor – Joseph Horovitz
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| Soprano Vocals – April Cantelo
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| C4 Sugar Plums
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| Drums [Batterie] – Eric Thompson (12), Lionel Salter, Peter Hemmings, Robert Ponsonby
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| Percussion – Felix Aprahamian
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| Performer – The Doltmetsch Ensemble*
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| Realization [Realized By], Organ – Elizabeth Poston
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| C5 "The Famous Tay Whale"
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| Music By, Conductor – Matyas Seiber*
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| Orchestra – The Hoffnung Symphony Orchestra
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| Voice [Declaimed By] – Edith Evans
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| Words By – William McGonagall
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| C6 A Movement From Concerto For Conductor And Orchestra
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| Composed By – Francis Chagrin
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| Conductor [The Maestro] – Gerard Hoffnung
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| Orchestra – The Hoffnung Symphony Orchestra
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| C7 Punkt Contrapunkt
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| Conductor – Norman Del Mar
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| Music By – Humphrey Searle
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| Orchestra – The Hoffnung Symphony Orchestra
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| Script By – John Amis
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| Speech [Discussion & Analysis] – Dr. Klaus Domgraf-Fassbaender, Prof von der Vogelweide
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| Written-By – Bruno Heinz Jaja
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| D1 Excerpts From The United Nations
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| Band – The Band Of The Royal Military School Of Music
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| Composed By – Malcolm Arnold
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| Conductor – Malcolm Arnold
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| Orchestra – The Hoffnung Symphony Orchestra
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| D2 Waltz For Restricted Orchestra
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| Composed By, Conductor – P. Racine Fricker*
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| Orchestra – The Hoffnung Symphony Orchestra
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| D3 Let's Fake An Opera (Or The Tales Of Hoffnung)
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| Baritone Vocals [Beckmesser] – Otakar Kraus
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| Baritone Vocals [Don Giovanni] – Peter Glossop
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| Bass Vocals [Escamillo] – Owen Brannigan
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| Bass Vocals [The Night-Watchman] – Ian Wallace (3)
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| Composed By – Wetherell*, Reizenstein*, Mann*
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| Conductor – Norman Del Mar
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| Conductor [Assistance] – Brian Priestman
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| Mezzo-soprano Vocals [Azucena] – Edith Coates
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| Mezzo-soprano Vocals [Brunnhilde] – Gloria Lane
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| Soprano Vocals [Salome - Fidelio (Leonore No. 4)] – Sheila Rex
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| Tenor Vocals [Manrico] – John Dobson
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| Tenor Vocals [Nadir] – Duncan Robertson (3)
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| Tenor Vocals [Otello] – Edgar Evans
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| The Hoffnung Astronautical Music Festival
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| E1 Introductory Music Played In The Foyer
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| Band – Six Trumpets, Six Trombones And Four Percussion Of The Royal Military School Of Music*
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| Composed By – Francis Baines
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| E2 Festival Anthem
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| Brass – The Trumpeters Of The Royal Military School Of Music*
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| Chorus – Festival Choral Society
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| Composed By – Francis Baines
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| Conductor – Norman Del Mar
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| Orchestra – The Hoffnung Symphony Orchestra
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| E3 Overture, Leonora No. 4
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| Brass – The Trumpeters Of The Royal Military School Of Music*
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| Composed By – Beethoven*
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| Conductor – Norman Del Mar
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| Ensemble – The Happy Wanderers*
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| Orchestra – The Hoffnung Symphony Orchestra
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| Organ – Lionel Salter
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| E4 Duet From The Comic Opera "The Barber Of Darmstadt"
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| Bass Vocals [Herr Knochen] – Owen Brannigan
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| Chorus – The Hoffnung Festival Choral Society
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| Composed By – Bruno Heinz Jaja
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| Conductor, Realization – Humphrey Searle
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| Orchestra – The Hoffnung Symphony Orchestra
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| Tenor Vocals [Der Redepartner] – John Amis
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| Translated By [Libretto Translated Into German] – William Mann
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| E5 Ballad Of County Down, Mostly In D Major
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| Composed By, Conductor – Francis Chagrin
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| Orchestra – The Hoffnung Symphony Orchestra
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| Voice [Speaker] – Forbes Robinson
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| F1 Excerpt From "Belshazzar's Feast"
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| Bass Vocals [Bass], Soloist – Owen Brannigan
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| Chorus – The Hoffnung Festival Choral Society
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| Composed By, Conductor – Sir William Walton
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| Orchestra – The Hoffnung Symphony Orchestra
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| Voice [Speaker] – T.E. Bean, C.B.E.*
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| F2 Horrortorio
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| Bass Vocals [Count Dracula] – John Frost
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| Composed By – Joseph Horovitz
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| Contralto Vocals [Dowager Baroness Frankenstein] – Pamela Bowden
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| Libretto By – Alistair Sampson
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| Script By [Scenario] – Maurice Richardson
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| Tenor Vocals [Edgar Allan Poe] – Stephen Manton
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| Tenor Vocals [Frankenstein's Son] – Stephen Manton
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| F3 Mobile For Seven Orchestras
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| Brass – The Trumpeters Of The Royal Military School Of Music*
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| Chorus – The Hoffnung Festival Choral Society
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| Composed By, Conductor – Lawrence Leonard
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| Conductor [Assistance] – Brian Priestman, Joseph Horovitz
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| Orchestra – The Hoffnung Symphony Orchestra
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| Organ – Lionel Salter
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| ...
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| Gerard Hoffnung (1925년 3월 22일 [1] – 1959년 9월 28일)은 유머러스한 작품으로 가장 잘 알려진 예술가이자 음악가였습니다.
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| 독일에서 자란 Hoffnung은 어렸을 때 나치를 피해 런던으로 왔습니다 . 그 후 20년 동안 영국에서 그는 만화가, 튜바 연주자, 흥행가, 방송인, 이야기꾼 으로 알려지게 되었습니다 .
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| 두 개의 미술 대학에서 훈련을 받은 후 Hoffnung은 몇 년 동안 가르쳤고 그 후 영어와 미국 출판물의 직원으로 그림을 그렸고 나중에는 프리랜서로 일했습니다. 그는 음악을 주제로 한 일련의 만화를 출판했으며 소설가와 시인의 작품을 삽화로 그렸습니다.
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| 1956년 Hoffnung은 런던에서 첫 번째 "Hoffnung Festivals"를 개최했는데, 이 축제에서 클래식 음악은 만화 효과를 위해 스푸핑되었으며 많은 저명한 음악가들의 기여를 받았습니다. 방송인으로서 그는 BBC 패널 게임에 출연하여 그의 가장 잘 알려진 공연 중 하나인 1958년 옥스퍼드 연합 에서의 연설을 위한 자료를 연마했습니다. 1996년 Humphrey Lyttelton은 BBC 오디오북을 위해 Hoffnung At Large라는 제목의 Hoffnung의 초상화를 녹음했습니다. Judith Liddell-King이 작성했습니다
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| Concertmaster, Tuba [Subcontrabass], Artwork, Tuba – Gerard Hoffnung
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| Conductor [Organ] – Dennis Brain
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| Contrabass Clarinet – E. O. Pogson, Reginald Tritton
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| Contrabassoon – Frank Rendell, James O'Loughlin
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| Harmonium – John Weeks
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| Heckelphone – James McGillivray
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| Hurdy Gurdy – Francis Baines
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| Liner Notes – William Mann
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| Piccolo Flute – Judith Fitton, Roger Rostrand
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| Producer [Recording] – Peter Andry, Victor Olof (트랙: A1 to B5)
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| Serpent – Eric Halfpenny
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| Serpent [Contrabass], Tuba – Nigel Amherst
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| Speech – Ernest Bean
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| Transferred By [Stereo Transfer] – David A. Pickett* (트랙: A1 to B5)
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| Tuba – Jim Powell (4), John L. Wilson |
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