|
*Gatefold*
|
|
|
Bach -
|
|
|
»Gottes Zeit Ist Die Allerbeste Zeit« (»Actus Tragicus«), BWV 106
|
|
|
(22:11)
|
|
|
A1
|
|
|
Sonatina (Molto Adagio)
|
|
|
2:45
|
|
|
A2
|
|
|
Chor/Tenor/Ba©¬: Gottes Zeit Ist Die Allerbeste Zeit
|
|
|
10:17
|
|
|
A3
|
|
|
Duett [Alt/Ba©¬/Chor]: In Deine Hände Befehl Ich Meinen Geist
|
|
|
6:02
|
|
|
A4
|
|
|
Chor: Glorie, Lob, Ehr Und Herrlichkeit
|
|
|
2:55
|
|
|
»Ach Wie Flüchtig, Ach Wie Nichtig«, BWV 26, Kantate Am 24. Sonntag Nach Trinitatis
|
|
|
(15:24)
|
|
|
B1
|
|
|
Coro: Ach Wie Flüchtig
|
|
|
2:24
|
|
|
B2
|
|
|
Aria (Tenore): So Schnell Ein Rauschend Wasser Schie©¬t
|
|
|
6:04
|
|
|
B3
|
|
|
Recitativo (Alto): Die Freude Wird Zur Traurigkeit
|
|
|
1:15
|
|
|
B4
|
|
|
Aria (Basso): An Irdische Schätze
|
|
|
3:38
|
|
|
B5
|
|
|
Recitativo (Soprano): Die Höchste Herrlichkeit Und Pracht
|
|
|
0:53
|
|
|
B6
|
|
|
Coro: Ach Wie Flüchtig
|
|
|
0:56
|
|
|
....................
|
|
|
Alto Vocals – Hertha Töpper
|
|
|
Bass Vocals – Theo Adam
|
|
|
Choir – Münchener Bach-Chor
|
|
|
Composed By – Johann Sebastian Bach
|
|
|
Conductor – Karl Richter
|
|
|
Contrabass – Herbert Duft
|
|
|
Engineer – Harald Baudis
|
|
|
Flute [Traversflöte] – Paul Meisen
|
|
|
Oboe [1st] – Manfred Clement
|
|
|
Oboe [2nd] – Andreas Schwinn
|
|
|
Oboe [3rd] – Gustav Meyer
|
|
|
Orchestra – Münchener Bach-Orchester
|
|
|
Organ – Hedwig Bilgram
|
|
|
Producer – Rainer Brock
|
|
|
Recorder [1st] – Hans-Martin Linde
|
|
|
Recorder [2nd] – Konrad Hamke
|
|
|
Recording Supervisor – Harald Baudis
|
|
|
Sleeve Notes – Werner Neumann
|
|
|
Soprano Vocals – Ursula Buckel
|
|
|
Tenor Vocals – Ernst Haefliger
|
|
|
Viola da Gamba [1st] – Oswald Uhl
|
|
|
Viola da Gamba [2nd] – Johannes Fink (2)
|
|
|
Violin – Kurt-Christian Stier*
|
|
|
Violoncello – Walter Reichardt |
|
|